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Created in 1855 at the Paris Opéra on the occasion of the Universal Exhibition, The Sicilian Vespers is a transitional work, coming immediately after the famous (and false) "trilogy" Trovatore, Rigoletto, Traviata, with which it has little to do, and that is absolutely exciting, appropriates the conventions of French Grand Opera of the time, severely felt by Verdi, anticipating in a striking way the psychological conflicts, the plot and language of the two later works, and as dissimilar as the Masked Ball and Don Carlos (also composed for Paris, according to the same canons, a much more controlled). Ill-fated within the production verdienne, like a opera and Luisa Miller, but for very different reasons, with a few pages remained famous (the splendid opening and the "Bolero" of Helena in the V are an exception) the work does contain a succession of pieces of all beauty, who magnified the clever libretto of Scribe, by instilling innovative forms (most of the scenes together, including the extraordinary final double choir II, the complex duo Montfort Henry III, the Quartet of the IV and the striking Trio of the V, act the masterful and concise dramatic structure is the culmination the logic of the opera), a psychology more complex than it seems (all the characters are ambivalent, victims become perpetrators and vice versa, and even the character in some respects a caricature of Procida acquires thanks to Verdi - which is, however, complained - a strangeness, quite disturbing) and music that is both refined and diverse, economical, the lessons orchestra chamber music of Rigoletto here all their fruits : see the ball III "O brilliant party where the beauties spicy... ".Cheap Dynatex 49550 Industrial Anti-Seize Lubricating:
For this production of 2013, Covent Garden appealed to the very inventive - and grown - director Norwegian Stefan Herheim (one is reminded of his brilliant meistersinger in Salzburg... more than her Eugene Oneguine of Amsterdam) who has logically chosen to (re) place the plot in an atmosphere perfectly in the Second Empire, under the shadows-conjugated Winterhalter, Manet and later, of Degas, whose paintings of dance seem to be particularly inspired. Herheim sets out cleverly from the opening, the preliminary data on the conflict, putting it in the foyer of the opera house where there has been under the eye of a Procida transformed into a ballet master helpless, the rape of the dancers by the troops of the occupying French, led by Montfort, and to the design of Henry in these tragic circumstances, which return periodically - in the form of ballerinas - to haunt the conscience of his father. The dialectic of love-death and the urges of suicide, which animate each of the four main characters are will play in a unique setting and moving at the same time (great effects of enlargement and of deepening, double funding and cross-days), theatre in the proper sense of the passions of intimate under the guise of a political conflict, all secondary, will lead to the final catastrophe into a gear relentless.Cheap Dynatex 49550:
Costumes and lighting are superb, a real visual intelligence, a remarkable direction of the actors far outweigh this that this design may have, in some cases, systematic (too much tutu risk of killing the tutu..), and tightening as much as little unit of a work that it is easy to disperse, or to drown under the convention. Faced with the impossible dilemma of the ballet III (30 minutes of music that come to freeze the price of a stock is very thick and already long), Herheim chooses the solution of the cut-off integral to the difference of Christof Loy in Amsterdam-logic, in this design, the dance that he reinjected into the main action is also a constituent element (and often metaphorical : violence against women by the bourgeois order of the day) and structuring of governance. Imaging fantastic (the masks) and morbid (the amazing transvestite demonic Procida V, idea masterfully served by a Erwin Schrott in crinoline, unhealthy desire) supported with a rare intelligence of this slow descent into the darkness. Antonio Pappano, who seems very in tune with the director, leads the ensemble with an opulent and often scathing firmness, focusing on a voltage-dark, muted shades, a climate of anxiety, who knows sometimes subtly lighten (the parenthesis diaphanous and falsely idyllic from the beginning of the V) to the ideal way.Best Buy Dynatex 49550:
The strong Michael Volle, already Sachs once to Stefan Herheim, flows with the acting talent (which sometimes prevails to too much parlando) and reciter by which it is known in the psychology tortured and moving to Montfort, even if her tone dull, stingy in color, and its emission too right, seem foreign to the singing rests, it compensates by a diction, and a remarkable nuancement of the text. In front of him, Erwin Shrott deploys a seductive physical and slaughter stage considerable to camp a Procida absolutely infamous of demonism, even if unusually young and light, a feature easily offset by the natural darkness of a stamp, more unctuous than ever, with the slight sfumato characteristic, and this ambiguity, which, from his first aria ("O thou, Palermo, o beauty that contempt") draw the profile of the character of a psychopath. It is a pity that this characterization of nightmare is marked by a diction also released, particularly on the vowels, of which it alters constantly the color. In the role of Henry, the heaviest of the opera, Bryan Hymel makes all the qualities of style and timbre of which it is known, that offset combined with a real investment in the psychology a bit naive of the character, a maintaining stage, sometimes borrowed, but credible, and a clear deficit in brightness. It is only if we feel it flex in the V, in its reply to Helen (the very mendelssohnien "The breeze blows in the distance, more light and more pure"), that lack of charm.On Sale Dynatex 49550:
Came on late to replace Marina Poplavsakaïa, the Armenian Lianna Hartounyan perform with ardour the very delicate role of Hélène (almost three octaves in a range inconvenient, a lot to sing, no real fresh air, a lot of scenes together, and a very great versatility, from the dramatic to the diaphanous, from the introvert to the virtuoso, somewhere between the Berthe of the Prophet and the Violetta of la Traviata, with accents and liquidity of phrasing that have led some to compare (already!) the Caballé. Without going so far, let us recognize him a beautiful timbre silky, a mixture of sensitivity, seriousness and authority already promising and a lot of ease on stage, even if the coloratura of the role (as in the Bolero, which is what it does least well, that descending chromatic arioso "Henri, the heart of Helen" at the IV) seem to embarrass it, and if the projection seems modest.Dynatex 49550 Reviews:
The latter plans, decidedly mediocre at Covent Garden, chorus (too sparse?) that lack of a safe and a density and a sound strange, with level burning strongly clipped (it should really increase the sound) and without any space in width, are not sufficient to tarnish the uptake of major, which imposes itself without difficulty in a desert video and audio to almost complete (avoid the version ominous, unnecessarily provocative, dismembered -opening delayed between acts I and II... and badly sung of Christopher Loy, and, in Italian, nor the version of Parma with Leo Nucci, or old versions of Chailly and Muti do not offer great interest).. Essential for the history of music in american. Huge. This looks all alone without bored. In short. Best seller. After having seen the film in 3D on the big screen, I bought the DVD to see the beautiful scenes that the film is rich. Of true happiness.. I loved this film that is original, funny, fun and poignant at the same time. Love story in the background is and the songs are really well chosen to capela. Wait for the 2nd! this case is a concentrate of happiness for those who love Adele!!!!! a true moment of poetry, of tenderness, to share with this singer with the voice out of the ordinary!!!! To obtain very quickly!!!!! Excellent movie! It is a very realistic view of the passion ROCK. The magic of the rock is very well transcribed.
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